Skip to main content

Continue Reading

Next Chapter →
Chapter 23 of 27

PUNARMRITYU: The Beast of Patala

Chapter 22: Return

2,555 words | 13 min read

The passage through the barrier was nothing like death.

Death — Arjun's first death, the one on the 332 Limited — had been violent, sudden, the bus tyre exploding and the world rearranging itself around the impact and the consciousness fading in stages, like a television losing signal, static and fragments and then nothing. The passage through the barrier was the opposite. Gentle. Deliberate. A transition rather than a termination.

Shruti's crystal pulsed. Narada had calibrated the device — the cosmic gossip's knowledge of barrier mechanics sufficient to create a controlled, temporary, one-way passage from Patala to Mrityuloka. The passage would remain open for seventy-two hours. After that, the energy sustaining it would dissipate, and the two beings who had crossed would be stranded on the Mrityuloka side until the source was stopped and the barrier stabilised enough for a return passage.

Seventy-two hours. To find the source of a counter-frequency attack in a world of eight billion people, without powers, without siddhi, without the Shakti Darshan that had been his operating system for eight months.

"Tayyar?" Ketaki asked. She stood beside him at the Shruti device, her Naga form — the iridescent scales, the amber eyes, the staff — visible for what might be the last time. On the other side of the barrier, she would be human. A form she had never worn. A body she had never inhabited.

"Tayyar," Arjun said.

They touched the crystal. Together. Their hands — Vanara and Naga, bronze fur and iridescent scales — pressed against the pulsing sphere, and the barrier's frequency entered them, filled them, and pulled.

The transition was sensory. Not painful — transformative. Arjun felt his Vanara body unmake itself. The fur receded. The tail withdrew. The enhanced musculature softened. The siddhi channels — the nadis that had carried spiritual energy for eight months, that had powered Agni Mushti and Sudarshan and Aatma Darpan — closed. One by one. Like doors shutting in a long corridor. Each closure a loss. Each loss specific.

His height changed. The Vanara's compact metre expanded to the human's 175 centimetres. His posture straightened — bipedal, fully upright, the spine configured for a species that had given up climbing in favour of walking. His hands changed — the dark claws retracting, the fingers elongating, the grip strength diminishing from a species that could crack stone to a species that struggled with jar lids.

And then it was over. The crystal released them. The barrier was behind them. And Arjun Mhatre stood on human feet, in a human body, on Mrityuloka soil.


They were in Mumbai.

The passage had deposited them at the point of Arjun's death — the barrier's logic connecting the transition to the last contact point between the being and Mrityuloka. The Eastern Express Highway. Ghatkopar flyover. The exact spot where the 332 Limited's tyre had burst eight months ago.

It was night. The highway hummed with traffic — the permanent, mechanical heartbeat of a city that never fully slept, the headlights of trucks and cars and auto-rickshaws streaming past in both directions, the sound a wall of engine and horn and tyre-on-asphalt that was simultaneously deafening and familiar. Mumbai traffic noise. The city's lullaby.

Arjun stood on the highway's shoulder. Barefoot. Wearing — he looked down — nothing. The barrier transition had not provided clothing. His human body stood on the asphalt in the amber wash of the highway's sodium lamps, naked, thirty metres from the nearest traffic, the warm Mumbai night air touching skin that had not been touched by human air in eight months.

Beside him, Ketaki.

She was — Arjun stared. Could not stop staring. The Naga archivist, the being of iridescent scales and amber eyes and serpentine grace, was gone. In her place stood a human woman. Tall — taller than him, which was consistent with her Naga height. Dark-skinned, the deep brown of South Indian heritage, which was consistent with the warm tones of her scale coloration. Hair — black, long, falling past her shoulders, the Naga's scaled head translated into human keratin. And eyes — still amber. The one feature that the barrier had not changed. The amber eyes, bright and precise, looking at the world from a human face with the same analytical intensity they had worn in a Naga one.

She was also naked.

"Kapde chahiye," she said. Her voice was different — human vocal cords producing a sound that was thinner, less resonant than the Naga voice, but still carrying the specific precision that defined everything Ketaki did. We need clothes.

"Haan," Arjun agreed.

The practical challenge of standing naked on the Eastern Express Highway at 11 PM was solved by proximity to civilisation. A hundred metres down the highway, a dhaba — one of the truck-stop eateries that lined every major Indian highway — was open, its fluorescent lights harsh against the dark, its radio playing Kishore Kumar, its owner — a stout man in a vest and lungi — leaning against the counter with the exhausted alertness of a small business owner at the end of a long day.

Arjun approached. The dhaba owner's reaction to a naked man walking out of the highway darkness was, remarkably, understated — a raised eyebrow, a tilted head, the experienced assessment of someone who had seen stranger things on the Eastern Express Highway at midnight and had learned that the appropriate response was pragmatism rather than panic.

"Bhai, loot ho gayi?" the owner asked. Brother, were you robbed?

"Haan," Arjun said. The lie was efficient, plausible, and Mumbai-appropriate. Robbery on the highway was not uncommon. Two people stripped of everything, including clothing, was unusual but not impossible. "Dono ko. Sab le gaye. Kapde bhi."

"Arey baap re. Baitho, baitho. Chai piyo. Police ko phone karta hoon."

"Police nahi chahiye — bas kapde chahiye. Aur phone. Kisi ko call karna hai."

The dhaba owner — whose name, Arjun learned, was Ganesh, because of course it was, because in Mumbai the name Ganesh was as common as the traffic and as reliable as the sunset — provided clothing from the dhaba's back room: a spare kurta and lungi for Arjun, a salwar kameez that belonged to Ganesh's wife for Ketaki. The fit was imperfect but functional. Arjun in a kurta that was too wide across the shoulders. Ketaki in a salwar kameez that was too short in the arms but that she wore with the same precise posture she'd worn her Naga armour, the clothing irrelevant to the being inside it.

Ganesh provided chai. The chai was — Arjun took the first sip and the taste hit his human tongue with the force of a revelation. Eight months. Eight months since his last chai. Eight months of Naga cuisine and jungle fruit and soma and naga-dal. And now — chai. Real, Mumbai, dhaba chai. Sweet. Strong. Made with milk that had been boiled until it was more idea than liquid, the sugar aggressive, the flavour a chemical assault that his Patala-trained palate received as a homecoming.

He drank. The warmth spread through his human body — the body that had no siddhi channels, no nadis, no energy framework beyond the electrochemical systems that human biology provided. The warmth was different from siddhi-warmth. Simpler. More direct. The warmth of a beverage processed by a stomach, not a cosmic energy absorbed by spiritual pathways.

"Acchi chai hai," he told Ganesh.

"Cutting chai. Best on the highway. Truck waale kehte hain."

Ketaki held her cup with both hands. The gesture was — Arjun's chest constricted — identical to the way she held her crystal tablets. The precision. The two-handed grip. The object held as if it were the most important thing in the world.

She took a sip. Her amber eyes widened.

"Yeh kya hai?" she asked.

"Chai."

"Yeh — yeh Mrityuloka mein normal hai?"

"Haan."

"Aur tum isse miss karte the."

"Haan."

She took another sip. Processed the taste with the same thoroughness she applied to archive data — cataloguing the sweetness, the bitterness, the warmth, the texture, the aftertaste. Filing each element. Cross-referencing with her existing (nonexistent) database of human beverages.

"Main samajhti hoon," she said. "Main samajhti hoon kyun tum isse miss karte the."


The practical realities of being powerless humans in Mumbai asserted themselves within the hour.

Money. They had none. The barrier transition did not provide currency. Ganesh's generosity covered chai and clothing, but the search for the counter-frequency source required resources: transportation, communication, potentially technology.

Identity. Arjun Mhatre was dead. Eight months dead. His bank accounts would be frozen. His phone disconnected. His flat — his one-BHK in Ghatkopar — probably released back to the landlord. He existed as a legal entity only in the past tense: death certificate filed, cremation completed, case closed.

Ketaki had no identity at all. She was a being from another dimension wearing borrowed clothes, holding a cup of chai, standing on a highway in a city she had only known through crystal tablets and an archivist's theoretical knowledge.

"Humein madad chahiye," Arjun said. We need help.

"Kiski?"

He thought about it. The people in his life — the human life, the Ghatkopar life, the life before the 332 Limited. His mother — no. Not yet. Not until the mission was complete, not until the barrier was safe. Appearing at his mother's door, alive, while a cosmic crisis required his attention — the emotional detonation would be too large to contain.

Neha — no. The relationship had been adequate. The death had ended it. Resumption was not possible or desired.

Work colleagues — no. His agency had been a place of professional mediocrity, not personal connection.

Friends — the word prompted a brief, painful audit. Arjun Mhatre had had colleagues, acquaintances, a girlfriend, a mother. Friends — real friends, the kind you called at midnight from a highway dhaba when you'd been resurrected from the dead and needed help — those were in short supply.

And then he thought of someone. Not a friend. Not exactly. But someone who owed him a favour — a favour from the life before, from a work project that Arjun had salvaged at personal cost, a campaign that had gone wrong and that Arjun had fixed quietly, without credit, because fixing things quietly was what adequate people did.

"Vikram," he said.

"Kaun?"

"Vikram Desai. Client tha. Tech startup ka founder. Maine uski company ka launch campaign bachaya tha — pura team ne bhej diya tha, timeline blast ho gayi thi, aur maine akele weekend mein pura campaign rewrite kiya. Usne kaha tha — 'Arjun, tu kabhi bhi call kar, kuch bhi chahiye, main karunga.' Tab maine socha tha ki yeh wahi cheez hai jo log kehte hain aur kabhi mean nahi karte."

Vikram Desai. Was a client. Tech startup founder. I saved his company's launch campaign — the whole team had given up, timeline was blown, and I rewrote the entire campaign alone over a weekend. He said 'Arjun, call me anytime, anything you need, I'll do it.' At the time I thought it was the thing people say and never mean.

"Aur ab?"

"Ab mujhe koi chahiye jo mujhe paise de, phone de, aur kuch sawaal na puche. Vikram — Vikram woh banda hai."

Now I need someone who'll give me money, a phone, and not ask questions. Vikram is that guy.

He borrowed Ganesh's phone. Dialled a number that his human memory — the memory that had survived death, rebirth, eight months in Patala, and a barrier transition — had retained with the stubborn persistence of a brain that remembered useless information and forgot important things.

The phone rang. Three times. A voice answered — groggy, irritated, the voice of a man awakened at midnight.

"Haan? Kaun?"

"Vikram. Main Arjun bol raha hoon. Arjun Mhatre."

Silence. Long silence. The silence of a man processing the fact that a dead person was calling him at midnight.

"Arjun — Arjun Mhatre? Bus waala? Tu — tu toh —"

"Haan, main mar gaya tha. Ab zinda hoon. Bahut complicated hai. Samjhaunga baad mein. Abhi mujhe tera help chahiye. Paise. Phone. Kuch sawaal mat puchna. Tera woh offer — 'kabhi bhi call kar, kuch bhi chahiye' — woh abhi valid hai?"

Yes, I died. Now I'm alive. It's very complicated. I'll explain later. Right now I need your help. Money. A phone. Don't ask questions. That offer you made — 'call me anytime, anything you need' — is that still valid?

Another silence. Shorter. Then — a laugh. Not the laugh of disbelief but the laugh of a man who had built a tech startup from nothing and understood that the most important skill in life was the ability to accept impossible information and act on it.

"Kahan hai tu?"

"Eastern Express Highway. Ghatkopar flyover ke paas. Ganesh ka dhaba."

"Bees minute."


Vikram arrived in twenty-two minutes. A black SUV. Tinted windows. The vehicle of a man whose startup had evidently succeeded in the eight months since Arjun's death — or had been succeeding before, the weekend campaign rewrite being one of the factors that had pushed it from "struggling" to "funded."

He was the same. Medium height, thin, the restless energy of a founder who ran on caffeine and conviction, his hair slightly longer, his clothes slightly more expensive, but the essential Vikram unchanged — the man who said things and meant them, the rare exception to the rule that promises made in gratitude are never kept.

He looked at Arjun. Looked at Ketaki. Looked at the borrowed clothes and the barefoot feet and the general presentation of two people who had recently transitioned between dimensions.

"Tu mar gaya tha," Vikram said.

"Haan."

"Ab zinda hai."

"Haan."

"Aur yeh — ?" He nodded at Ketaki.

"Meri — colleague. Bahut complicated. Baad mein samjhaunga."

My colleague. Very complicated. I'll explain later.

Vikram looked at them for five more seconds. Then nodded. The founder's nod — the nod of a man who had learned that due diligence had its place and that place was not a highway dhaba at midnight.

"Chalo gaadi mein. Khaana khaya?"

Get in the car. Have you eaten?

"Chai pi."

"Chai khaana nahi hai. Chalo — pehle khaana. Phir batao kya chahiye."

Chai isn't food. Come on — first food. Then tell me what you need.

They got in the SUV. The leather seats. The air conditioning. The phone charging in the console. The normalcy of a vehicle that existed in a world of roads and traffic and physics that Arjun understood at a cellular level, the world he'd been born in and died in and was now sitting in again.

Ketaki sat in the back seat. Her amber eyes — the one feature the barrier had not changed — took in everything. The seat belt. The air conditioning vents. The radio (now playing Arijit Singh, because Mumbai at midnight was always Arijit Singh). The GPS display showing the route from Ghatkopar to wherever Vikram was taking them.

She was quiet. Not the professional quiet of the archive. A different quiet — the quiet of a being experiencing a world she had only known through knowledge, and discovering that knowledge and experience were, as Andhaka had said, different.

"Yeh tumhari duniya hai," she said softly.

"Haan," Arjun said. "Welcome to Mumbai."


© 2026 Atharva Inamdar. Licensed under CC BY-NC-ND 4.0. Free to read and share with attribution.