PUNARMRITYU: The Beast of Patala
Chapter 4: The Old Man
He found the door on the eighteenth day.
By then he was Level 14. His Agni Mushti had levelled to 6, the charge time dropping from two seconds to one point two, the fire burning hotter, the scorch mark now a crater. His Shakti Chori had finally paid out — on his one hundred and thirty-first activation, against a cave bat whose echolocation passive he'd stolen and returned dozens of times, the 5% chance hit. The notification had appeared while he was hanging upside down from a branch, the bat's broken body falling away beneath him:
Shakti Chori: Permanent absorption successful.** **Passive acquired: Shabdadrishti (Sound Sight) — Starr 1** **Vivaran: Emit pulses of sound and perceive the environment through their echoes. Range: 10 metres. Resolution improves with level.
Echolocation. He could see with sound. The ability was crude at Level 1 — the pulses were short-range and the resolution was grainy, like watching a video at the lowest quality setting — but it let him navigate in total darkness, which meant he could go places the crystal-light didn't reach.
Which is how he found the door.
He'd been exploring the deep jungle floor — finally, after two weeks of avoiding it, his Level 14 stats giving him enough confidence to descend from the understorey and move through the root-cave system beneath the great trees. The floor was as dangerous as he'd feared — creatures in the Level 15-25 range, ambush predators that struck from shadows, burrowing things that erupted from the soil without warning. But his echolocation gave him an advantage they didn't expect: he could detect them before they could ambush him, the sound pulses bouncing off their bodies and returning to his ears as shapes, presences, warnings.
He moved through the root caves carefully, mapping as he went, building a mental picture of the underground architecture that his Adaptive Interface helpfully rendered as a glowing overlay at the edge of his vision. The caves were not natural — or not entirely natural. The root systems of the great trees had grown around and through older structures, stone passages and chambers that predated the jungle, that had been here when the cavern was raw stone and empty air.
The door was in one of these ancient passages. Set into the stone wall, framed by carvings that were different from the carvings in the pyramid — older, simpler, the lines cut deep and wearing with an age that made the pyramid look recent. The door itself was metal — dark, heavy, warm to the touch, humming with a vibration that his echolocation picked up as a continuous low tone, like a bass note held indefinitely.
He pushed the door. It didn't move. He pushed harder, his Vanara muscles straining, his feet bracing against the stone floor. Nothing.
He tried his Agni Mushti. The fire fist struck the door and the door absorbed the fire — not deflected, not resisted, absorbed, the flame flowing into the metal surface like water into sand, and the door hummed louder, as if the fire had fed it.
He stood before the door for a long time. His echolocation mapped it — two metres tall, one metre wide, no hinges visible, no lock, no handle. Just a flat metal surface set into carved stone, warm and humming and completely impassable.
Then he noticed the carving above the door. His eyes — sharper now, Level 14 Vanara eyes adapted to the deep dark — picked out the shapes in the ancient stone: a figure. Humanoid but not human. Large, muscular, carrying an axe. The axe was the dominant feature — enormous, curved, the blade wider than the figure's body, rendered in the stone with a detail that suggested the carver had known the weapon intimately.
Parashurama, his mind supplied. The sixth avatar of Vishnu. The Brahmin warrior. The immortal — one of the seven Chiranjeevis, the beings cursed or blessed to live until the end of the current age. The man who had killed the Kshatriya kings twenty-one times and given the earth to the Brahmins and then retreated to — where?
To the mountains. To the places between worlds. To the deep places.
To here.
Arjun knocked on the door. Not a test. Not an experiment. A knock — the universal human gesture, the knuckles-on-surface communication that says: I am here. I am asking permission. Please open.
The door opened.
The chamber beyond was not what he expected. He'd expected something mythological — a divine space, glowing, the celestial architecture of a god's dwelling. What he got was a shack.
A wooden shack, built inside a stone chamber, the wood old and dark and patched in places with newer boards. A porch — actual porch, with steps and a railing and a chair that had been repaired so many times it was more repair than original chair. A fire pit to one side, the coals still warm, the smell of wood smoke mixing with the cave's mineral air. Bottles — dozens of them, clay and glass and metal, some corked, some open, arranged on the porch railing with the casual disorder of a man who drinks regularly and organises never.
And on the porch, in the repaired chair, sat the old man.
He was not what Arjun expected either. Parashurama — the avatar, the warrior, the killer of kings — was supposed to be magnificent. Terrible. A divine figure radiating power and wrath and the accumulated karma of an immortal existence.
This man was old. Not divinely old, not mythologically old — old in the way that humans get old, the body wearing down, the skin loose, the joints stiff. He was large — broad-shouldered, thick-armed, the frame of a man who had been enormous in his prime and was still substantial in his age. His hair was white, long, tied back in a knot that was functional rather than aesthetic. His beard was white and stained with something that might have been food or might have been drink. He wore a dhoti — plain, cotton, the kind that a village farmer would wear, not the silk that a god would choose.
And his eyes. His eyes were the thing that did not fit the rest of him. They were young. Not in colour or shape but in intensity — the eyes of a being that had seen everything, forgotten nothing, and was still, after millennia, interested in what came next. The eyes found Arjun in the doorway and held him with a force that was not physical but was no less real.
"Aa gaya tu," the old man said. So you've come.
His voice was deep. Rough. The voice of a man who spoke rarely and drank often and had not modulated his volume for polite company in several centuries.
Arjun stood in the doorway. His Vanara body, which had been climbing and fighting and surviving for eighteen days without hesitation, was suddenly frozen. Not with fear — with recognition. The deep, primate recognition of a dominant organism, the acknowledgment that the being in the chair was not just powerful but fundamentally, categorically superior in a way that no amount of levelling would close.
His Shakti Darshan tried to read the old man. The interface flickered, glitched, displayed a string of characters that resolved into:
Naam: [RESTRICTED]** **Starr: [ERROR — VALUE EXCEEDS DISPLAY PARAMETERS]** **Status: Chiranjeevi
The display crashed. Rebooted. Came back showing Arjun's own stats, as if the interface had looked at the old man, panicked, and retreated to familiar territory.
"Baith," the old man said. Sit.
Arjun sat. On the porch steps, because there was only one chair and the old man was in it and suggesting that a Chiranjeevi share his seat was not something Arjun's survival instinct would permit.
The old man looked at him. The look was an evaluation — thorough, unhurried, the assessment of a being who had trained warriors for longer than most civilisations had existed. The eyes moved over Arjun's body, noting the scars, the muscle development, the way he held himself, the fur that was no longer the clean tawny of a new Vanara but was streaked with dirt and ash and the dark stains of Keet blood.
"Athaara din," the old man said. Eighteen days.
Arjun nodded.
"Level chaudah. Akele. Koi guru nahi, koi sangh nahi. Sirf mushti aur chori."
Level fourteen. Alone. No guru, no guild. Just fists and theft.
He'd been watching. Arjun realised this with a chill that had nothing to do with the cave's temperature. The old man — Parashurama, if the carving above the door was accurate — had been watching him. For eighteen days. Watching him fumble and fight and fail and learn and grow, watching from behind this door, evaluating.
"Kyon aaya?" the old man asked. Why did you come?
Arjun opened his mouth. His Vanara vocal cords, which had been improving over the past weeks — he could produce basic words now, his speech rough and accented but intelligible — found the answer before his brain did.
"Darwaza tha," he said. There was a door.
The old man laughed. The laugh was enormous — not in volume but in resonance, the sound filling the chamber and bouncing off the stone walls and vibrating in Arjun's chest like a second heartbeat. It was the laugh of a being who had heard ten thousand answers to that question and found this one, for reasons Arjun could not fathom, genuinely funny.
"Darwaza tha," the old man repeated, still laughing. "Darwaza tha. Hazaron saal mein kitne aaye is darwaze tak. Kitno ne dekha aur chale gaye. Kitno ne khatkhataya aur bhag gaye jab khula. Tu — tu andar aa gaya kyunki 'darwaza tha.'"
There was a door. In thousands of years, how many came to this door. How many saw it and walked away. How many knocked and fled when it opened. You — you walked in because 'there was a door.'
The laughter subsided. The old man leaned forward in his chair, the wood creaking under the shift of his weight, and his eyes — those young, ancient, terrifying eyes — fixed on Arjun with an intensity that made the Keet swarms seem like a pleasant afternoon.
"Main tujhe sikhaunga," he said. I will teach you.
The words were simple. The weight behind them was not.
"Lekin pehle," he continued, reaching for one of the bottles on the railing — a clay bottle, corked, the cork stained with whatever was inside — "pehle tu peeyega. Kyunki jo main tujhe sikhaane wala hoon, uske liye tujhe nasha chahiye. Hosh mein koi yeh nahi seekhta."
But first, you will drink. Because what I am going to teach you, you need to be drunk for. Nobody learns this sober.
He uncorked the bottle. The smell hit Arjun's Vanara nose — enhanced, sensitive, tuned for detecting threats — and his nostrils flared. The liquid smelled of fermented fruit and cave minerals and something else, something that his enhanced senses identified as siddhi — raw spiritual power, dissolved in alcohol, concentrated to a potency that made his fur stand on end.
"Yeh kya hai?" Arjun asked. What is this?
"Somaras," the old man said. And smiled.
What followed was not training. Not immediately. What followed was three days of drinking soma with an immortal warrior-sage in a wooden shack inside a cave in the seventh underworld, while the immortal warrior-sage told stories that alternated between cosmological history and crude jokes and occasionally both at the same time.
The soma was not like alcohol. Alcohol dulls. Soma sharpened. Each sip — and the old man insisted on sips, not gulps, because "soma gulped is soma wasted and I've been brewing this batch for two hundred years" — each sip expanded Arjun's awareness. Not his stats. His stats stayed the same. But his perception — the range of his senses, the speed of his thoughts, the depth of his understanding — opened like a flower in time-lapse, petals spreading, the centre revealed.
Under soma, he could feel the cave. Not just the stone under his feet and the air on his fur — the cave itself, the weight of the mountain above, the depth of the earth below, the currents of energy that flowed through the rock like blood through veins. Patala was not dead stone. It was alive — a system, a network, a vast organism of mineral and crystal and the ancient, patient power that had been accumulating in the earth since before the first Vanara climbed the first tree.
Under soma, he could feel the old man's power. And the feeling was like standing at the edge of the ocean — not the gentle ocean of Juhu Beach on a Sunday morning but the deep ocean, the abyssal ocean, the ocean that goes down eleven kilometres and contains things that have never seen light. The old man's power was that ocean: vast, dark, incomprehensible, and entirely contained within a body that sat in a wooden chair and drank from a clay bottle and told stories about the time he'd fought the Kshatriya king Kartavirya Arjuna and accidentally cut down a forest because the axe got away from him.
"The axe doesn't get away from me anymore," the old man said, and his eyes went distant for a moment — not sad, not regretful, just remembering across a span of time that no human mind could hold. "Ab main axe se zyada control karta hoon. Lekin tab — tab main jawaan tha. Jawaan aur gusse mein. Gussa aur shakti — dangerous combination. Tujhe bhi seekhni padegi yeh baat."
Now I control the axe better. But then — then I was young. Young and angry. Anger and power — dangerous combination. You'll need to learn this too.
"Main gusse waala nahi hoon," Arjun said. I'm not an angry person.
The old man looked at him. The look lasted three seconds. In those three seconds, Arjun felt — through the soma, through the expanded awareness — the old man's perception pass through him like an X-ray, reading his thoughts, his memories, his emotions, the accumulated sediment of twenty-eight years of adequacy and compromise and the quiet, persistent anger that lived beneath it all.
"Tu gusse waala hai," the old man said softly. "Tu bahut gusse waala hai. Lekin tere gusse ne kabhi jagah nahi payi. Isliye tune socha ki gussa hai hi nahi. Lekin hai. Aur jab main tujhe sikhaunga — jab teri shakti badhegi — tab tere gusse ko bhi jagah milegi. Aur tab tu choose karega: gusse ko chalana ya gusse se chalna."
You are angry. You are very angry. But your anger never found a place. So you thought the anger didn't exist. But it does. And when I teach you — when your power grows — then your anger will find its place too. And then you will choose: to drive the anger or to be driven by it.
Arjun didn't answer. The soma hummed in his blood. The cave hummed around him. And somewhere in the deep place where his anger lived — unnamed, unacknowledged, the anger of a man who had been adequate when he could have been extraordinary, who had settled when he could have strived, who had lied to Neha about being twenty minutes away when he was forty minutes away because managing expectations was easier than meeting them — somewhere in that place, something stirred.
The old man saw it. Nodded. Drank.
"Kal se training shuru," he said. Training starts tomorrow.
© 2026 Atharva Inamdar. Licensed under CC BY-NC-ND 4.0. Free to read and share with attribution.